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Not that all of them would be in it, but at least the type of hostility we were met by was not their fate. Blacks, Native Americans and Latinos were graduating into a desert, while white kids graduated into an industry. Mainstream Hollywood is a very exclusive industry, especially at the time my friends and I were coming up. “I was asserting my own cultural background, my own mindset, my own narrative. “My life at UCLA was a life of war,” he said. Rebellion - their work was not supported by the institution. But his aversion to formal education systems makes sense when you consider the reality of the L.A. Given the sheer amount of time Gerima has spent associated with universities, his position on them may come as a surprise. I found that I could benefit better to young people who want to learn whatever I could offer in a much more liberated context, without university pressure. But art in a university context is really obsolete. “I think physics, chemistry, biology, mathematics can be taught. “I feel now that film teaching in a university context is hopeless,” he told Variety. But he’s found that participating in the more grassroots style of education Array offers is more his style. Following a Black American model named Mona (Oyafunmike Ogunlano) who finds herself transported back in time and kidnapped into the transatlantic slave trade, the film studies the relationship between Black liberation and connecting to diasporic roots.įor decades, Gerima also taught at Howard University. “Sankofa,” which was nominated for the coveted Golden Bear award at the Berlin International Film Festival in 1993, is his most widely seen film.
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Along with figures like Julie Dash and Charles Burnett, Gerima made a name for himself with movies that provided a Black alternative to the style of classical Hollywood. Rebellion, which was a movement of artists who studied film at UCLA from the late 1960s to early 1980s.
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Gerima is best known as one of the leading members of the L.A.
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In addition, Array created a free learning companion designed to help viewers process the weight of what they’re watching. are screening Ethiopian director Haile Gerima’s “Sankofa” for free, one screening for each day of February.
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To celebrate Black history month, Ava DuVernay’s indie distribution, arts and advocacy collective Array has produced “28 Days of ‘ Sankofa,'” an event series where select cinemas, universities and festival locations throughout the U.S.
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